Search results for "VDP::Humanities: 000::Musicology: 110::Music history: 111"

showing 10 items of 15 documents

Baustein West und Bauplan Ost. Zur politischen Transformation jugendkultureller Stile in der DDR

2012

Published version of an article from the journal: Norsk tidsskrift for musikkforskning. Also freely available oon the Internet:http://journal.uia.no/index.php/NTM/article/view/63 Within different political systems, youth cultures use similar symbols and styles which are charged with distinct and specific meaning. In the German Democratic Republic, the socialist part of Germany, youth cultures were identified as being a political threat. They created space for communication that was in sharp contrast to the propagandistic ideal of the so-called „socialist personality“ and hardly to control by the state. Based on the example of the hippie phenomenon in the East, the essay explains the way glo…

Historybusiness.industryLibrary scienceThe InternetbusinessVDP::Humanities: 000::Musicology: 110::Music history: 111
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Lautenistinnen in Deutschland im 18. Jahrhundert

2018

Published version of an article from the journal: Early Modern Culture Online. Also available from the publisher: http://journal.uia.no/index.php/EMCO/article/view/15. Open Access This article contains a descriptive presentation of some of the most outstanding female lutenists in the 18th Century German Countries: Luise Adelgunde Victoria von Gottsched, Anna Maria Wilhelmina von Althan Lobkovitz, Christiane Mariane von Ziegler, Anna Ilsabe Lehmann Brockes, and Friederike Sophie Wilhelmine of Bayreuth. The article is a small contribution to the ongoing international female research within the area of musicology

Historymedia_common.quotation_subjectArt historyMusicallcsh:History of scholarship and learning. The humanitieslanguage.human_languageKey (music)GermanMusicologyPresentationlcsh:AZ20-999languagePerformance artVDP::Humanities: 000::Musicology: 110::Music history: 111media_commonEarly Modern Culture Online
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Freedom in interpretation and Piano sonata no. 7 by Sergei Prokofiev : a comparison of two approaches to piano interpretation

2012

Masteroppgave i utøvende musikk, klassisk- Universitetet i Agder 2012 This thesis is an exploration in the field of music interpretation. In it, two different performances of Piano Sonata No. 7 by Sergei Prokofiev are compared and analysed. The discussion of findings is conducted in a dialectic way, by confronting two possible solutions to the problems of interpretation of said piece. The thesis employs different scientific methods, relying on analytical and observation methods as the main source of data.

MUK 500VDP::Humanities: 000::Musicology: 110::Music history: 111
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The interpretation of J.S. Bach's Sonata no.1 in G minor for solo violin

2012

Masteroppgave i utøvende musikk, klassisk- Universitetet i Agder 2012 This master thesis explores different aspects of the performance of the Sonata No.1 in G-minor BWV 1001 by Johann Sebastian Bach. The research is divided in two parts, each using different methods of research. The first part of the research (written by Stevan Sretenovic) is based on the comparison in performance practice between Baroque and modern violin. The second part (written by Jelena Adamovic) uses three different recordings of the Sonata in order to compare different approaches in performing. The findings and observations of both researches are presented in the Conclusion as well as on the CDs.

MUK 500VDP::Humanities: 000::Musicology: 110::Music history: 111
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Evangelistens rolle i Matteuspasjonen av J. S. Bach

2011

Masteroppgave i utøvende musikk, klassisk- Universitetet i Agder 2011

MUK 500VDP::Humanities: 000::Musicology: 110::Music history: 111
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P.I. Tchaikovsky Concerto for violin and orchestra, op. 35

2012

Masteroppgave i utøvende musikk, klassisk- Universitetet i Agder 2012

MUK 500VDP::Humanities: 000::Musicology: 110::Music history: 111
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Heitor Villa-Lobos' etyder

2011

Masteroppgave i utøvende musikk, klassisk- Universitetet i Agder 2011

MUK 500VDP::Humanities: 000::Musicology: 110::Music history: 111
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Challenges in performing Giacomo Puccini's Madame Butterfly

2011

Masteroppgave i utøvende musikk, klassisk- Universitet i Agder 2011 Challenges in performing Puccini`s Madame Butterfly” is a master thesis that will examine this opera through the vocal and performance aspects. This master thesis is written by Jelena Markovic, student of Agder University Conservatory of Music, Kristiansand, Norway, and consists of 44 pages. It is divided in seven sections. The first section will introduce her methods and aims. The second section is the research process and sources used to compile the research. The third section details about Giacomo Puccini`s life and the period during which he wrote his opera “Madame Butterfly”, using information from books written by Mos…

MUK 500VDP::Humanities: 000::Musicology: 110::Music history: 111
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Norsk klassisk gitarhistorie fra 1800 til 1980 : en sammenliknende analyse av den klassiske gitars popularitet i Norge, Sverige og Danmark fra 1800 t…

2009

Masteroppgave i klassisk musikk- Universitetet i Agder 2009 En sammenliknende analyse av den klassiske gitars popularitet i Norge, Sverige og Danmark fra 1800 til rundt 1980 med vekt på utviklingen i Norge”, søker generelt å belyse gitarens posisjon i Norden og spesielt dens popularitet her til lands. Nøkkelord: Klassisk, gitarister, foreninger, radio- og tv-programmer, pedagoger, utøvere, lærebøker, svensker, dansker, nordmenn, sammenlikning, inspirasjon, popularitet. Gjennomgang av kapitler: Oppgaven omfatter en kort introduksjon av gitarens historie (2). Noen navn blir omtalt i forbindelse med 1800-tallet og Frelsesarmeen får en presentasjon (3). I dette århundre var danskene ”tidlig på …

MUK 500VDP::Humanities: 000::Musicology: 110::Music history: 111
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French baroque lute music from 1650-1700

2010

Masteroppgave i utøvende musikk- Universitetet i Agder 2010 This master’s thesis aims to shed light on the performance of French baroque lute music from the period 1650 to 1700. Little research has been done in this area within the lute world. As an introduction I start with an overview of the music in general in France, and then I will discuss performance and performance praxis according to historical sources. Finally, a presentation of possible interpretation of selected pieces by the main lutenists and lute composers of the time: Charles Mouton, Jacques Gallot, Ennemond and Denis Gaultier and Phillip Franz LeSage de Richée. All are presented, both in the thesis and on the CD enclosed. Fr…

MUK 500VDP::Humanities: 000::Musicology: 110::Music history: 111
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